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What was going on here? Everything seemed to line up almost perfectly with what we’ve seen so far out of this game, and then anon dropped this curveball right at the final act for the island they didn’t even clarify further about these two details as far as I’m aware, so what we see in this post is what we get from anon. Not only was she helping him out by stuffing him full of rings for his Super form, but she was also helping him out to continue brawling against the very same boss she controls! Then it gets more interesting, this boss-which I’m almost certain is supposed to be the titan Giganto-is, in anon’s words, a “gigantic tree monster,” not the spindly noodle-limbed hunchback we’ve seen him as in the final game. I didn’t think much of the throwaway line at first, as it was obvious the anon was referring to who we now know as Sage, the “ghost girl” as the anon dubbed her, and the showdown between Super Sonic and the titan Giganto, but then it hit me. In Anon's own words, a ghost girl helped Sonic out with a gigantic tree monster by throwing him rings for his super form in-game. I looked back at the leak for old times' sake, while researching over my first post-reading over it to see if anything has changed significantly since then-I found a discrepancy once more, specifically with the titan boss battle! Initially, I thought nothing of it-the battle is consistent with the footage shown, but reading over the lines carefully and going over the footage-the description of the boss battle clashes significantly with what we’ve been shown and have seen officially. My journey researching for my first post took me back to where it all began with this sub, the January 2021 4chan leak containing the mother of all leaks, where almost all that we know of the game’s genre, setting, and more were spilled. Some details and events would probably go over your head without prior knowledge, so if you’re willing to potentially be spoiled, why not give my previous post a read before we continue? Are we good? Ok, let’s continue.Īs I’ve dug into the strange reoccurring pattern of discrepancies with character designs and environments-just a few months away from the game's release, mind you-I believe in my search, I’ve stumbled into something much larger than some unfinished character designs, and it involves the narrative of the game! Hello everyone, I’ve come back as promised with another post to discuss some of my findings with this game this is part two of my original post, which detailed some minuscule/imperceptible differences in the designs of the characters with their final renders and in-game look, versus the promotional CGI advertisements. Disclaimer!: If you do not wish to see any spoiler material relating to the plot of this game, I highly recommend that you click away from this post, as many of the bits and pieces of information I’ll be going over has potential *SPOILER MATERIAL!\*Ĭonsidering the incredible likelihood of the story being spoiled in this post, I'll try to cover up any spoiler material I'll be reviewing! So, please, if you do not wish to be spoiled, don't read any further or visit the comments! I hate Apple for taking over Logic and making it endemic, and that hate is so deep that I will never in my life buy an Apple. Then I got to know Reason and was thrilled, but there was no way to integrate VSTs back then, in 2003. Since we were programming PC games, I unfortunately had to work on PC and couldn't buy a MAC. And computers back then were still slow as hell, especially Windows. They both annoyed me, because I'm an old-school musician, and really only knew four- or eight-track Tascam recorders, or even just a two-track Revox. The very first DAW was Cakewalk, then later Cubase. I started working with DAWs in the early 90s when I had to write 8 bit soundblaster music for computer games. The glitchy copy protection system from Cubase 7 - Cubase 11 (the elicenser) is gone in Cubase 12 and everyone loves the new simpler activation system. I work from "reusable parts of templates" workflow, and for me, both Studio One and Cubase are friendly and easy to use.Īt the end of the day, there is NO more powerful DAW than Cubase Pro. Some people do everything in a template, and while I don't work that way, you can work that way. Cubase's browsing system and preset systems are the best in class, and I simply love Cubase's ability to save and re-load effect chains, track presets, and project templates. Certain parallel processing, very intricate side chaining, or mid-side effect chaining is much easier to do in Studio One.Ĭubase also has the simplest bounce/freeze/render and the BEST stem-rendering and import/export features of any DAW. To be fair, Studio One has some really awesome multi-band and parallel routing features built into the DAW that are not EASY in Cubase, but are possible. I feel StudioOne more or less forces the "rack instrument" VST model on me and I don't like that. I find the StudioOne way of separating tracks from channels as a forced workflow annoying, whereas Cubase offers me both "traditional VST tracks" (because Steinberg invented VSTs, it does them well) and a "rack instrument" model, which is useful in some cases, but more work. I personally like the way Cubase works with VSTs better than the way that StudioOne works with VST instruments. If you want a friendly easy to learn, and very reliable DAW, studio one is wonderful. If you need incredibly powerful and deep mixing and editing features, nothing beats Cubase. If you mostly work IN THE BOX with a bit of vocals, and a lot of electronic VST instruments, Bitwig has many advantages. What genre do you work in and do you need a flexible DAW that can do everything Ableton does and more? Bitwig is like Ableton, but not crashy, and far more powerful, and with its clip launcher and push/launchpad integration, if you have ableton-type DAW controllers in your setup, Bitwig will just feel like home Bitwig is kind of a super ableton, but it lacks things that Studio One and Cubase can offer you for things like recording live instrument and vocal performances and then mixing editing live vocals or instrumentals. If you have been a long time Ableton user, you should consider bitwig as well. The new midi remote control editing and assignment features are unbeatable. Cubase recently (Cubase 12) got perhaps the nicest and most powerful way of setting up all your MIDI control surfaces that I have ever seen. The drag and drop features in Studio One are very nice. Cubase is incredibly powerful, probably more powerful than Studio One, but the workflow is simpler in Studio One. Both Cubase and Studio One are wonderful. Blue: Pen Adapter | Sketch Pens | 3rd Party Tools.Black: Ratchet Blade | Fabric Blade | Premium Blade.The Cameo 4 is also designed to be used with the original Silhouette blades and comes equipped with 4 chipped collars which you can place your original blades into so that the machine will also be able to automatically detect your original blade of choice. Once the machine has recognised the blade it will automatically send this information through to Silhouette Studio and update the software accordingly. The blades used in the new Cameo 4 are chipped which means the machine will automatically detect what type of blade has been inserted into it. The Cameo 4 does away with the LCD Touchscreen found on the Cameo 3 and instead utilises a sleek, clear and easy-to-use LED Backlit Panel for all operational adjustments.ĭepending on what function you are trying to achieve, only the relevant buttons will illuminate making navigation intuitive and easy! Windows (64-bit): Windows 7 64-bit & higher.With wireless Bluetooth connectivity and a familiar 12″ cut width, the Cameo 4 is the perfect desktop cutting tool for the serious crafter, small business or model maker. The Cameo 4 provides the user with more cutting functions than ever before with inclusion of 3 brand new blade types: The Cameo 4 has had a complete make over, new aesthetic, sliding lid and a compact design make it the prefect desktop cutting system for home or small business. The Silhouette Cameo 4 is the most featured packed Cameo to date and now offers the user a 3mm clearance to use thicker materials than ever before. New Tool Compatibility (Rotary Blade | Kraft Blade | Punch Tool).3mm Head Clearance For Thicker Materials. The Silhouette Cameo 4 Offers A Faster Cut Speed, Greater Power And More Cutting Options Than Any Cameo That Has Come Before. Contact ustoday for a Price Match by sending us a link. We will aim to Price Match any authorised UK Supplier and give your our above Freebies too. He has appeared in concert with Clark Terry, Paquito D'Rivera, Ernie Watts, Gary Foster, Karrin Allyson, Kevin Mahogany, Bobby Watson, John Clayton, Kim Park, and many others. Compra la música de Stan Kessler en vinilo, CD u otros formatos en el mercado online de Discogs. He was voted best trumpet player and leader of the best jazz band (SOBs) in KC by the Pitch readers poll. Explora las ediciones de Stan Kessler en Discogs. In 1980, Stan was assistant director of the jazz ensemble and combo instructor at UMKC. His expertise includes jazz, R&B, funk, and all latin genres, especially brasilian and afro-cuban. He is currently leading The Sons of Brasil (14 yrs. Stan also plays drums and hand percussion. He also does extensive writing and arranging for small groups. Stan Kessler - Kansas City trumpet player (and jazz stalwart) LiveJazzKC Presents. Septemby admin Stan Kessler Booking Agent Stan Kessler is a Trumpet/Flugelhorn player, band leader, clinician, and educator in the Kansas City area. Musicians: Ron Carlson, Stan Kessler, Greg Clinkingbeard, - order tickets, find location and other info. He has lead such bands as Stan Kessler and the Flat Five, Eightball, and Baby Leroy. We talk about his life growing up in KC, career, and Kansas City BBQ. Ron Carlson Trio with Stan Kessler at Lucky Brewgrille, November 30. For the last 33 years, Stan has been a member of every kind of group you could imagine. Welcome to a new edition of the Neon Jazz interview series with Kansas City Trumpeter Stan Kessler on the COVID-19 World & 2021. He attended Kansas University and Wichita State University from 1970 to 1972. Musicians: Stan Kessler, Kathleen Holeman, - order tickets, find location and other info. Kansas Music Hall of Fame OctoKSMHoF President Allen Blasco recently presented Kansas City jazz musician Stan Kessler with his award for his induction into the Kansas Music Hall of Fame. In 1970, Stan was awarded first chair all- state trumpet in Kansas. Stan Kessler and Kathleen Holeman Duo at Chaz On The Plaza, October 20. From 1968 to 1970, he was principal trumpet in the K.C. Stan graduated from Shawnee Mission South H.S. He maintains adjunct positions at The University of Missouri-Kansas City and Missouri Western State College in jazz trumpet, theory and improvisation, and music business classes. He is currently leading The Sons of Brasil (12 yrs.) and The Stan Kessler Quartet (10 yrs.). About Stan Kessler is a Trumpet/Flugelhorn player, band leader, clinician, and educator in the Kansas City area. |
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